Freedom 3: Vectors - Hemi Sync - Gateway Experience
2 years
Category:
Description:
Vectors provides reference points to enable you to repeat any explorations with or without using these exercises. It helps you go and return with a sense of direction.
This exercise uses three-dimensional space for such ref-erence points, which may be a little misleading when working with nonphysical energy. Perception utilizing nonphysical energy is
not limited to ordinary concepts of time and space. However, it is a good way to learn this process of establishing direction by relating it to the location of your physical body. As you progress, you will begin to perceive extensions that are naturally developed by the Vectors system. Many of these you will develop on your own, utilizing what is con-venient for you. The exercise guides you in conceptualizing the face of a clock. Twelve oclock is always just above the top of your head. Six oclock is always just below the bottoms of your feet. In the first step of the exercise, three oclock is just outside your left hip, and nine oclock is just beyond your right hip.
During the first section, you learn to extend or move your perception around the face of the clock. You begin at twelve above your head, move out and around to your left side at three oclock, then to below your feet at six oclock, then around to nine oclock just beyond your right hip. Notice the feelings associated with perceiving beyond your physical body. Detect any interesting or unusual features while focusing in a particular direction.
The second part of the exercise rotates the face of the clock ninety degrees. The number twelve still remains above your head. However, number three on the face is directly out in front of your hips and abdomen. The number nine, therefore, is directly behind you, just beyond your hips and waist.
Starting at twelve oclock above your head, for the third , part of this exercise, you are guided forward and outward to the new three oclock position just in front of your feet, then outward and upward to the new nine position which is just beyond and away from the back of your waist and hips. From there the movement is upward and inward to the twelve position at the top of your head.
In each of these steps, you move around the face of thc clock and then return to the original position. As these maneuvers are performed, note any significant changes in your personal awareness and remember this change in relation to the position on the clock. Also, as you become proficient, you will learn to establish new vectors, such as a three oclock position halfway between the three to the side and the three to the front. Thus, you can have many points of exploration in this three-dimensional pattern. It is important that you remember and log in your notes a vector that you find easy, comfortable, stimulating, or even as a source of information.
Vectors may require several repetitions before you become proficient with the method. Certainly, the more you utilize it, the more effective it will become. Eventually, it can become a very automatic pattern in any exploration.
#gatewayexperience
#hemisync
#isochronictones
This exercise uses three-dimensional space for such ref-erence points, which may be a little misleading when working with nonphysical energy. Perception utilizing nonphysical energy is
not limited to ordinary concepts of time and space. However, it is a good way to learn this process of establishing direction by relating it to the location of your physical body. As you progress, you will begin to perceive extensions that are naturally developed by the Vectors system. Many of these you will develop on your own, utilizing what is con-venient for you. The exercise guides you in conceptualizing the face of a clock. Twelve oclock is always just above the top of your head. Six oclock is always just below the bottoms of your feet. In the first step of the exercise, three oclock is just outside your left hip, and nine oclock is just beyond your right hip.
During the first section, you learn to extend or move your perception around the face of the clock. You begin at twelve above your head, move out and around to your left side at three oclock, then to below your feet at six oclock, then around to nine oclock just beyond your right hip. Notice the feelings associated with perceiving beyond your physical body. Detect any interesting or unusual features while focusing in a particular direction.
The second part of the exercise rotates the face of the clock ninety degrees. The number twelve still remains above your head. However, number three on the face is directly out in front of your hips and abdomen. The number nine, therefore, is directly behind you, just beyond your hips and waist.
Starting at twelve oclock above your head, for the third , part of this exercise, you are guided forward and outward to the new three oclock position just in front of your feet, then outward and upward to the new nine position which is just beyond and away from the back of your waist and hips. From there the movement is upward and inward to the twelve position at the top of your head.
In each of these steps, you move around the face of thc clock and then return to the original position. As these maneuvers are performed, note any significant changes in your personal awareness and remember this change in relation to the position on the clock. Also, as you become proficient, you will learn to establish new vectors, such as a three oclock position halfway between the three to the side and the three to the front. Thus, you can have many points of exploration in this three-dimensional pattern. It is important that you remember and log in your notes a vector that you find easy, comfortable, stimulating, or even as a source of information.
Vectors may require several repetitions before you become proficient with the method. Certainly, the more you utilize it, the more effective it will become. Eventually, it can become a very automatic pattern in any exploration.
#gatewayexperience
#hemisync
#isochronictones